Monday, November 03, 2008

The Atigas!

Tinabu, husband Nelli and baby Naz surprised be by saying they were in town. Luckily enough, my Sunday was free and I was able to meet up with them at very colorful Martha's Cakes in the Fort. It was nice seeing this Singaporean based couple after so long. Baby Naz is not even two years old but she's certainly looking like she's going to have a growth spurt for a long time. This I bet is thanks to her Samoan dad! Am pretty sure she will grow up to be as wonderful as both her parents and that she will be able to eat cupcakes, a whole bunch of them with us adults very soon.

Tuesday, April 22, 2008

Femmefoodies in Basilio's

It was April and time for another femmefoodies getogether. Because of my current sked I've not been able to allot time to plan way in advance. So, I thought, why not wing it and just give the girls a couple of days notice and see who will show up? I've found this to be a little more convenient for me as selfish as that sounds but I guess I'm realizing that if people will show up, they will show up, last minute or not. Even if you plan something way ahead of time there are still people who will back out last minute. Besides, I've been told several times that the girls do have more fun when it's a smaller group. Still, I would like to keep the numbers at a steady 10 per restaurant just so everyone has a chance to sample all the dishes, but hey, 10 or just another girl I guess will be ok, thankfully our number have never been below 5. Dinner was at Basilio's in the Fort which I've been wanting to introduce to the girls for quite some time. Among the faves of the night were the crab ravioli, the steak and mushroom pie and the seafood pasta. The girls had mixed reviews about the chicken dishes, but more because some didn't like spicy food. I noticed though that every plate was empty at night's end and several of the girls 'tagged' what they would be going back for. A new addition to the menu was the callos pot pie, which I didn't get to try since I'm not fond of callos, I did try the sauce though and it was extremely tasty. The winner of the evening was the molten chocolate cake. We were all trying to be coy and ordered just one, but the minute the rest of the girls dug in, one shouted "We better order another one or else aaway tayo!" true enough, we practically inhaled the first one and when the second one came round, it was gone in minutes. Let's see what other establishment will be on our plates ( literally) in May!

Friday, March 28, 2008

Kalipimu: Move with Spirit


By Katrina A. Holigores
Philippine Daily Inquirer

Last updated 16:33:00 03/28/2008

MANILA, Philippines—Stuck. Trapped. Blocked. Disconnected. These are words that formed part of my daily dictionary. Active as I was on the outside, inside I was feeling lethargic, and going through the motions of life on automatic pilot. I had tried meditation to clear my head of a thousand voices—but they just wouldn’t shut up. Even my outward movements felt mechanic, truth be told, finding quiet time was a skill I did not possess. An inner desperation led me to an old acquaintance (on recommendation of a mutual nephew) to Kalipimu. Kali what? Kalipimu, without delving into details (since you can Google it or go to www.innerdance.multiply.com) it was explained to me as an ancient healing ritual indigenous to pre-colonial Philippines—practiced by tribal shamans, the baylan (male) and the babaylan (female). They were the soul “doctors” before Christianity was brought (some say ‘forced’) upon us with the arrival of the Spaniards.

Feel it to believe it

But describing the power of this healing ritual in words is unjust. Experiencing it is the only way to go, or in this case, flow. I was simply asked to sit down and close my eyes. I felt light touches on various parts of my body and later on was slowly and seemingly stretched with gentle pushes and pulls. Part of me thought, “Ok, feels nice, but … ” and my mind started to drift off, to the usual traffic of what I did that day, what I was going to do later … etc., etc. The being moved around continued and at some point I found myself lying down on my back, eyes still closed taking in the music that was being played and trying desperately not to think about anything else but stay in the moment. I decided to just let my friend finish his work and I would politely just lie still until the session was over.

The tipping point

My friend stopped physical contact with me and moved a short distance away. My hands started to tremble, and jerk—to an irregular beat all on their own. My arms, planted firmly on the floor, started to sway, in no fixed direction left, right, round, up, down. At this point I should have freaked out, but I didn’t, I was mesmerized, transfixed (even with my eyes still closed) by the flow, by the loss of control which was still, weirdly enough, controlled. I felt little snaps of electricity traveling from my elbows to the tips of my fingers, as if something was slowly being released into the world and beyond. The trembling and shaking continued and this time, the voices in my head did shut up and my mind flew free. There was a lightness I felt, although I was still very connected to my body. All I could comprehend in this in-between state was that something had opened up within that allowed me to see into another dimension of myself, one that acknowledged an inner life force that had long been dormant. My body continued to move on its own and as I turned my head to one side my eyelids opened slightly and I ‘saw’ standing over me a woman, dressed in what seemed to be native American garb, her expression was one of observation. There was nothing sinister about her presence, she just seemed to belong there. Minutes later I heard a voice in my ear welcoming me back to the present. I left that night feeling like I had definitely found something. “This practice is a guru-less one,” my friend explained, “all you need is to find spirit and you can continue this on your own.” That night, alone and lying in my bed, I plugged in my iPod, closed my eyes and was taken over by movement once more.

Level Up

A month passes and I find myself on a plane to Davao, and greeted in the airport by Pi Villaraza—who I will identify basically as the moving force behind the awareness and expansion of Kalipimu and its benefits. I was going to spend the Easter weekend at his base, in the Don Bosco Youth Camp in Makilala, North Cotobato. For the next three days, I was going to immerse myself in all the healing qualities that this inner dance had to offer. First was release, the blocks, past life traumas, issues, hurts that were contained in my subconscious. The movements that took over my body were sometimes violent in their force and speed, but they never once caused any injury nor any fear in me, it was almost like I welcomed the spasms, the coughs that escaped from my throat and, on one occasion, tears. In the midst of one of my almost cathartic states, I had images of all the people in my present life who had hurt me and as tears flowed I heard myself addressing each of them saying, “I’m sorry, I’m so, so sorry,” Yes, it was a reverse, instead of forgiving I was the one asking for it instead. That particular session left me with a rather deep sense of emptiness, and as it was performed on a rock overlooking a beautiful flowing river, I curled up into a fetal position and allowed the Universe to cradle me once more, so vulnerable, and yet open to what was around me. The key was, I was no longer caught up in the past, it was a giant, giant leap for me as I came to understand later on during my stay. We are emptied out, so that we may change what fills us, what makes us, and what moves us.

Part of this immersion was also reconnection to the purity of nature. Our party hiked, swam, took in the icy cold and warm waters offered by the mountains, natural heated pools and the cleansing benefits of breathing clean air and drinking fresh, flowing water. I felt like a child again, there were no “no’s” involved in anything I did as I explored what surrounded me and what was within me. By the end of the weekend, I had even learned the healing art of massage through Kalipimu. During this heightened state of connectivity to spirit you can activate another’s own life force to remove pains, both physical and emotional by touch. You become so sensitive to energy that sometimes you don’t even need to look where to place your hand, you are guided to it intuitively.

Everyone Can Heal

To think that Kalipimu is an instant fix is a huge mistake, it is part of a process, one that is designed for you to dig deeper and deeper, and you realize how much you may have repressed when the rigidity of adulthood took over the free spirit you possessed as a child. We all have aches and pains, but the ones we repress are the most difficult to bear. Kalipimu is like a much needed hug to a bruised heart or a broken soul. There is an almost instant soothing that takes place, but it doesn’t make all that pain or past issues go away. It takes practice, and sincerity. When it is later combined with an intention to heal, it may be used to free others from their own issues. It has been known to ease physical ailments, enhance creativity and more importantly (as in my case) feel connected again. Visualization ( if you’ve been on the recent law of attraction bandwagon) is energized when in a state of inner dance release. This could possibly take you one step closer to the person you were meant to become.

No one experience is the same; to resonate with spirit at this level is different for everyone, and is definitely for everyone.

A three-day Inner Dance convergence in Makilala, North Cotabato will occur on May 8-12. For more details call or text: 0919-2358153 and 0916-4748496

Special thanks to Betsy Gamela of the Don Bosco Foundation for Sustainable Development and her staff.

Sunday, October 21, 2007

Aman's Art

It's funny how people can take you by surprise. While at Maribago Bluewater Resort my friends were talking about a up and coming painter, Aman Santos, they were complimenting his style and also the fact that he was in his 30s but could pass for a teenager. I was looking forward to meeting him and seeing his art at the Bluewater Gallery. Lo and behold, turns out AMAN is really DINGDONG Santos from my highschool! He was one batch below me and we were both on the Student Council (yes, laugh now) together in the 80s! Ha ha ha! Too funny, of course being me, I ripped his ego to shreds by calling him Dingdong in front of everyone, he was a good sport anyway and he laughingly defended his name change by saying "Who would buy a painting by an artist named DINGDONG?!" The Aman has a po-wint. He walked me to the gallery and showed me his work, part of the three man exhibit and suffice to say I was taken aback by what I saw. I would never have expected it out of him, not because he wasn't smart or creative back in highschool, but I certainly didn't think he would ever be a painter, shows you how much you know when you're that young. I guess school doesn't make aMan. I then found out that he was one of BenCabs apprentices and even if he studied to be a PT he went back to UP for Fine Arts and is now even teacher in their VizComm department. Take at look at some of his work. If you're in Cebu drop by the Bluewater Gallery at Maribago Bluewater Resort to check out the Art of Three Exhibit that runs until November 20. The resort is in the Mactan side of Cebu province you can call Juliet Amazona (032) 492-1808 or 232-5411 if you're a non-resort staying guest for an exhibit viewing appointment.

Monday, May 15, 2006

ON BLOG BREAK

ON BLOG BREAK!!
ON BLOG BREAK!!
ON BLOG BREAK!!
ON BLOG BREAK!!
ON BLOG BREAK!!
ON BLOG BREAK!!
ON BLOG BREAK!!

Monday, December 26, 2005

give love on xmas day part 2

Before his phenomenal career as a solo artist, before his ghastly transformation from a black kid to a ghost-white adult, before his controversial child-molesting cases and before his alleged bankruptcy, Michael Jackson sang “Give Love On Christmas Day.”

A day after Christmas, that’s what I’m doing. Giving love to showbiz people who deserve it. I did it last year and I’m doing it again.

I love Boy Abunda because as usual, he’s proven that he’s more than a mentor to me. He’s always there for me and the rest of the Backroom staff, even if he’s busy as a host, manager, PR guru and geisha. He’s not afraid to share his wisdom to anyone, me included.

I love Francis M, his wife Pia and their kids Unna, Nic, Maxene, Saab, Frank, Elmo, Arkin and Clara. Their family has welcomed me with more than open arms. I always joke that I’m the 9th Magalona kid and I say that with some sincerity since Francis and Pia treat me like their own.

I love my own kids Drew Arellano, Mariel Rodriguez and Bianca Gonzalez. Drew because, even if he thinks I’m his showbiz mother, I think he’s my showbiz dad actually. He is a text or phone call away whenever I have a problem. He never fails to shoot sense into my senseless head. Even from arranging my own schedule, Drew is always there to help me. He calls me “fab,” short for fabulous. I think he’s more fabulous than I am.

I love kapitbahay ni kuya Mariel Rodriguez. Mariel is a generous soul. She gives and gives, not thinking of what she can get in return. She’s the epitome of the Pinoy saying, “Isusubo na, ibibigay pa din.” I know Mariel will give anything to me…including her voluptuous body. But I wouldn’t take it because it’s lesbianism. I’d rather take Mariel’s gorgeous face and her beautiful character and make it my own.

I love Bianca Gonzalez because she’s my anchor. Whenever I feel like doing something crazy, she’s the one who grounds me to say that whatever outlandish thing I plan to do, don’t do it. But Bianca can be crazy when she wants to. Many people see her as “sosyal” but she’s one of the most down-to-earth people I’ve ever met.

I love Raymond and Richard Gutierrez and her girlfriend Georgina Wilson. Raymond is one of the most fun people I’ve ever met. He laughs at me and laughs with me. Richard is the more serious one actually but Richard is as accommodating as his twin. Georgina is one person I hit it off right away. She’s like a little girl, curious about life and everything beyond it and I like that in her. She doesn’t know this but she’s very beautiful and this unassuming attitude is what makes her even more tantalizing.

I love Bianca King because she’s mataray like me. I love JC de Vera because he’s very nice not like me. I love Gabb Drilon because he’s a perennial drinking partner. I like Alfred Vargas because I know he’ll do anything for me and I would do the same for him.

I love Vhong Navarro because he’s very funny and really makes me laugh. I love Toni Gonzaga because she “connives” with me. It’s always a blast when I’m with Toni and her angels Ate Nene and Bing.

I love JB, Sam, Uma, Cass, Jason, Say and Chx of Big Brother. JB because he’s tarantado but he’s the tarantado barkada you have who will always be there whenever and wherever the good times are. I love Sam because he’s like a little boy you’d want to take care of. I love Sam because I like the pair of shorts he bought for me in my birthday which we celebrated in Boracay. I love Sam because he loves the same music I do. Uma is a delight to talk with. His I-don’t-care-attitude is what makes me care for him. I also like the straw hat he gave me for my birthday. I also like Uma because of the fact that he hunted high and low for a bottle of Absolut Currant when the bottle we had fell and broke. Cass, I love because she has a body I would kill for and she likes the drinks I prepare. Jason because he loves his wife Denden. I love Say because she is kikay like me. I love Chx because she knows her place.

I love Rafael Rosell because he remembers he still owes me pizza. I love Mark Herras because he is indeed a good boy not like the bad boy image he projects. I love Bianca Araneta because she wants to go to Boracay with me next year. I love John and Camille Prats because their closeness as siblings is enviable. I love Paolo Ballesteros because he plays badminton with me even if I’m not a good player. I love JC Cuadrado because he calls me “babe” and he loves Eddie Guerrero, the WWE Wrestler. I love Juddha Paolo because he calls me his “bitch.”

I love them all. And I know deep in their hearts, they love me too.

Tuesday, August 30, 2005

Some Things I've Learned, I've Learned in Showbizness

Patience is a virtue in showbizness. That I learned the hardway this month.

You see, I was asked by MTV to be the scriptwriter for the 2005 MTV Pilipinas Video Music Awards. I turned them down.

I wrote the first three and the 5th Pilipinas Awards and my experience with them was endless meetings. Don’t get me wrong. I don’t find anything wrong with meetings. God did invent it for a reason and I respect that. But I had to turn down writing this year’s awards night because I just felt I wouldn’t have the time to do twice a week meetings.

Anyway, when I turned down the job, they offered me to be the show’s talent coordinator. For the same budget and a guarantee that I won’t meet with them until a few days before the event, I said yes. They emailed me their wish list of presenters for the awards and I made my texts and calls.

Angel Locsin and Anne Curtis were the first ones I called and they both had to turn down the chance. To think I was the one who thought of putting the two together since they now represent the “superpowers” of Philippine TV (Angel being Darna and Anne being the Kampanerang Kuba) but Angel had taping while Anne is busy doing her movie for Star Cinema. Next were Iza Calzado, Drew Arellano, Piolo Pascual, Diether Ocampo, Jericho Rosales and a whole lot more but they had to turn us down since they all had their respective tapings.

So with persistence, I was able to get Richard Gutierrez, Michael V, Bianca Gonzalez, Ryan Agoncillo, Georgina Wilson, Epy Quizon, Borgy Manotoc, Francis M, Peque Gallaga, Jojo Alejar, Phoemela Barranda, Francine Prieto, Juliana Palermo, Onyok Velasco, selected members of the Philippine Boxing team, among others. Thankfully, in the night of the event, no one was that late and everyone was able to walk on the red carpet looking their very best. Double thanks to the presentors and their handlers following the guide we sent them regarding which entrance to go, how many people they can bring etc etc.

Now it may appear to be as simple as it looks. Calling a bunch of artistas or managers/handlers and asking if they’re willing and available to present an award for our event. But it certainly is not. Some people don’t reply right away to your text messages. Some do not answer phone calls. Some haven’t heard of the MTV Pilipinas Awards. Some are over meticulous. Some even suggest that instead of presenting an award, can their alaga host it instead? Some are asking for too much talent fee. Some are asking for the sun, moon and the stars.

After booking them, you have to call them one by one again for their address where their conforme will be sent (for the record, this is the only event I’ve ever participated in that requires a conforme to be sent for an honorarium), who their entourage is (you really have to get their names as the security of Araneta Coliseum was super strict as a result of the security mess of the First Day Funk event), plate number etc.

It’s very tiring following up, calling, coordinating etc. Top of which is my other day job as a talent handler, PR Supervisor and writer for Backroom, Inc. And my other racket as an associate editor of an upcoming entertainment magazine called Scoop.

I thought I lost weight, hair and sanity the past week calling and texting people. Thank God the awards night happened (almost) without a glitch. People showed up, MTV was happy and I (hopefully) didn’t fail in my other jobs.

Talent coordinators call me everyday to book a talent of mine or even me (horror of horrors). And almost everyday I get exasperated with at least one for being insensitive, or for being too makulit or for being forgetful or for being plain stupid.

Now, after the MTV awards, there are two truths I have learned:

1) Patience is indeed a virtue
2) Sometimes you really have to be in the shoes of others to be more understanding
3) You can do millions of things if you set your mind to it

And these are truths that hopefully will be with me until the 2075 MTV Pilipinas Video Music Awards.